Arab Jewish Identity and the Art of Hospitality: A Conversation with Michael Rakowitz

[Artist Michael Rakowitz, Dar Al Sulh, 2014. Photo by Kamel Rasool. Image courtesy of Creative Time Reports.] [Artist Michael Rakowitz, Dar Al Sulh, 2014. Photo by Kamel Rasool. Image courtesy of Creative Time Reports.]

Arab Jewish Identity and the Art of Hospitality: A Conversation with Michael Rakowitz

By : Michael Rakowitz

In the media clips below (produced by Creative Time Reports), the artist Michael Rakowitz speaks with independent curator Regine Basha and scholar Ella Habiba Shohat about the disappearance of Arab Jewish identity, in the context of their recent collaboration Dar Al Sulh, a temporary restaurant serving Iraqi Jewish cuisine in Dubai. The following introduction also appears courtesy of Creative Time Reports:

For one week last year, the artist Michael Rakowitz operated an Iraqi Jewish restaurant out of the Dubai art space Traffic as part of the Moving Museum’s exhibition “TECTONIC.” The temporary kitchen, a rarity in the wake of the Jewish population’s mass exodus from Iraq during 1948–51, drew older visitors nostalgic for their pasts as well as younger diners attracted by its novelty. Elaborating on the themes of the project for this podcast, Michael Rakowitz sat down with two of his collaborators, the independent curator Regine Basha, who has chronicled Iraqi Jewish music with her archival project Tuning Baghdad, and the scholar Ella Habiba Shohat, author of several books in addition to the influential essay “Reflections of an Arab Jew.”

The restaurant, Dar Al Sulh, is in some senses a continuation of Rakowitz’s “Enemy Kitchen” project, started in 2004. In its first iteration, Rakowitz cooked with middle and high school students in a summer program, teaching them his Iraqi Jewish grandmother’s recipes. The classes became an entry point for discussions about the war in Iraq and aimed to humanize a culture often depicted as a faceless “other” in mainstream media reports. 

Similarly, Dar Al Sulh uses a shared culture of food and hospitality as a catalyst for broader political discussions. The communal tables provided the feast with the atmosphere of a family meal and for many, the food was reminiscent of home. Rakowitz discusses how diners were often surprised to discover that Iraqi Jewish food was no different from Iraqi food, and it shared many flavors and ingredients with other Middle Eastern cultures.

The restaurant’s name, Dar Al Sulh, or “Domain of Conciliation,” refers to a territory in which an agreement is made between Muslims and non-Muslims to guarantee freedom of religion, autonomy and protection, an arrangement under which Arab Jewish populations had once flourished. The title serves as reminder of the social and political climate before the establishment of Israel, in which one could claim both Jewish and Arab identities without conflict.

 

     

 

The above post was produced as part of a series of articles related to 2014 Creative Time Summit Stockholm.                                

A Scenography Workshop by Hussein Baydoun

A Scenography workshop by Hussein Baydoun

8-16 September 2013

Falaki Theater, Cairo, Egypt

 

Hussein Baydoun is a Lebanese artist, architect, and scenographer who is known for his unique approach to set design. Baydoun frequently participates in the creation and development of performances from their early stages with the view that scenography is an essential component to the creation of theatrical work, one no less important than the script. His designs are often inspired by the performance spaces in which he works, where he creates fascinating sets from whatever is available as he challenges conventional notions about theater production, such as in his most recent performance "Alice," which was produced in collaboration with Lebanese playwright and director Sawsan Bou Khaled. In September, Baydoun returned to Cairo to lead a scenography workshop following the same vision. At the American University in Cairo`s Falaki Theater, he worked with six upcoming set designers, in addition to amateurs, on creating imaginative environments from the remnants of old sets and other discarded objects. This video highlights the vision and development of the workshop as Baydoun describes the aim of his teaching methods.  


 

      

     [This video is produced by Medrar TV and is featured as part of a new partnership with Jadaliyya Culture.]