October 2015 Culture Bouquet

[One of the most popular images of Dia de Los Muertos, Jose Guadalupe Posada`s Calavera Catrina (1913).] [One of the most popular images of Dia de Los Muertos, Jose Guadalupe Posada`s Calavera Catrina (1913).]

October 2015 Culture Bouquet

By : Culture Page Editors

In Mexico 1 November is a day of celebration that honors the lives of the dead with symbolic offerings, festivities, and elaborate alters. An indigenous tradition that began at least 2,000 years ago, Dia de Los Muertos (Day of the Dead) stems from the belief that death is a transition marking a new phase of life, an inevitability that should be celebrated and embraced not feared. With the introduction of Christianity under Spanish colonialism, Dia de Los Muertos was merged with All Saints Day without losing its indigenous characteristics and practices. The dead live on in memory and spirit, and are awakened each year through commemorations. Folkloric skeletal figurines and statues, music, dance, flowers, candles, prayers, and food are staples of the holiday, as Mexicans everywhere reunite with those who have passed.

Fittingly, Jadaliyya’s October Culture Bouquet includes interviews and reviews that address the topics of mourning, remembrance, and how we visualize history. In his review of Mauricio Misle’s Hamule (2014), Haider Shahbaz argues that archival practices among non-Western artists have led to new (and alternative) forms of understanding the past. Erden Kosova’s review of Grandchildren: New Geographies of Belonging, a group exhibition recently held at DEPO-Istanbul, examines how a new generation of artists retrieves and enunciates the cultural and psychic consequences of the Armenian Genocide with fluid approaches that are partly shaped by diasporic experiences.

On this day of remembrance, Jadaliyya offers writings and images that transcend borders and question what is remembered in light of what has nearly been forgotten.

Alexa Firat`s review of Ecology of World Literature

Dena Al-Adeeb`s interview with artist Paul Qaysi

Erden Kosova`s review of Grandchildren

Haider Shahbaz`s review of the 2014 film Hamule

Paola Caridi and Lucia Sorbera`s discussion of the recent decision to not have Saudi Arabia as the guest of honor at the 2015 Torino International Book Fair.  

More examples of revolutionary printmaker Jose Guadalupe Posada`s work can be found here.

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A Scenography Workshop by Hussein Baydoun

A Scenography workshop by Hussein Baydoun

8-16 September 2013

Falaki Theater, Cairo, Egypt

 

Hussein Baydoun is a Lebanese artist, architect, and scenographer who is known for his unique approach to set design. Baydoun frequently participates in the creation and development of performances from their early stages with the view that scenography is an essential component to the creation of theatrical work, one no less important than the script. His designs are often inspired by the performance spaces in which he works, where he creates fascinating sets from whatever is available as he challenges conventional notions about theater production, such as in his most recent performance "Alice," which was produced in collaboration with Lebanese playwright and director Sawsan Bou Khaled. In September, Baydoun returned to Cairo to lead a scenography workshop following the same vision. At the American University in Cairo`s Falaki Theater, he worked with six upcoming set designers, in addition to amateurs, on creating imaginative environments from the remnants of old sets and other discarded objects. This video highlights the vision and development of the workshop as Baydoun describes the aim of his teaching methods.  


 

      

     [This video is produced by Medrar TV and is featured as part of a new partnership with Jadaliyya Culture.]